This is the first release in Kagero’s new Red Series. From what I understand, the Red Series will consist of decals accompanied by 8 pages of color instructions. Although I have the 1/48 scale sheet for review, it is available in 1/72 and 1/32 as well.

The decals and accompanying booklet come in a re-sealable plastic sleeve, which is useful for storage purposes. The booklet itself is indeed 8 pages (including front and back cover), and is printed on high quality, thin (think good quality magazine) paper stock. Good quality color printing has been used throughout. The cover page has a dramatic in-action painting of Mustang #1 on the decal sheet. The interior 6 pages cover the individual subjects of the decals (see below). The final (back) page has 3 small profiles of the subjects, as well as a brief how-to on the best way to apply Kagero decals.

3 aircraft are covered in this decal sheet:

Based on a design by Ensign Mitsuo Ohta with the assistance of students of the Aeronautical Research Institute at the University of Tokyo, the Yokosuka MXY-7 Ohka (Cherry blossom) was first conceived. Over 850 of these rocket-powered, anti-shipping, kamikaze planes that were dropped by Mitsubishi G4M “Betty” bombers were constructed during 1944 and 45. The idea was to glide in on the attack, and then the pilot would ignite three rocket engines on the final approach, delivering a 1200 kg (2646 pound) payload to the target. The aircraft had a limited range (twenty-three miles), and with delivery being via a heavily laden bomber, there are no recorded successful attacks by the Ohka during World War II (although there was a near miss with the battleship USS West Virginia on 1 April 1945). The basis for this particular kit, though, is the unpowered K1 variant that was filled with water in place of the explosives and engines in order to train the pilots for their mission.

Unmistakable in appearance and unequalled in firepower among American fighters in World War II, the Northrop P-61 Black Widow was America’s first purpose-designed night fighter. First contracted in January 1941 at Wright Field in Dayton, Ohio, delivery of production aircraft took place in the summer of 1943 to stateside training units, followed by initial deployment to the European Theater of Operations that December, with the Pacific Theater units equipped the following spring. By war’s end, the P-61 would amass 136 confirmed kills, including 9 V-1 “buzz bombs,” in European, Mediterranean, Pacific, and China-Burma-India theaters of operation.

Since the early 1970s, the classic Monogram P-61 has been the modeler’s only choice in 1/48th scale…until now. Nearly 40 years later, Great Wall Hobby has delivered a state-of-the-art rendition of this nocturnal predator. First out is the P-61A, representing early production examples without a top turret.

Aires has long been known for extremely nice resin detail parts. For several years now, under their own name brand and in the Quickboost line, Aires has produced replacements for kit parts that have an outstanding level of detail, exquisite molding, and excellent ease of use. Wheeliant is the most recent line added to the Aires brand, and it easily meets the standard set by the company’s previous products.

For anyone building a 1/32 Eurofighter Typhoon, Aires’ latest release is a must-have. Anyone who has worked with Aires resin parts knows they are at the top of the industry for resin aftermarket parts. I recently had the opportunity with IPMS to review their resin cockpit set for the EF2000A, and the set was such a vast improvement that I jumped at the chance to see their new wheel bay set. Now, I should note, the set is recommended for the Revell EF2000 kit; however, I am comparing it to the Trumpeter kit. Now, Trumpeter kits are usually known for high detail and quality, but the Aires resin parts are far superior. The set comes in standard grey/beige resin and includes the nose and main gear bays and new door actuators. The bays are molded as one-piece, drop-in replacements for the multi-piece kit bays. The detail is amazing and, in a comparison to photos of the real thing, it seems Aires got every detail captured in resin.