I received the Mig Ammo Dio Drybrush Paint Rust Color set. The Clear plastic container contained four bottles of what Mig refers to as Dio Drybrush paint. The four colors represented the various stages of rust from a dark brown old rust color to a light orange fresh new rust color. Upon opening the paint, I found they are thick and creamy and not a thin liquid like the average paint. No shaking or stirring was needed to prepare them.

When using the paint, they did dry brush and cover very well. If you are familiar with the slap chop method of dry brush painting, they are perfect for that style of dry brushing which uses a wet heavier style of dry brushing.

Cleaning up was very easy because they are acrylic-based and not enamel or lacquer-based paint.

These are not the Tamiya figures of the past! The out of scale, chunky plastic bobs have been replaced with well detailed figures that look the part. I was surprised at the time it took to construct the figures as the bodies are multi-part affairs, with separate heads and headgear, weapons, and gear, to make it easier to paint and detail. A bonus is the decal sheet for the uniforms and Panzerfausts (in both the carry and ready to fire position). To say I am impressed would be an understatement – especially at the price for five figures.

Upon opening the usual sturdy Tamiya box, you are greeted with three sprues, decal sheet, instructions, and a Tech Tips flyer. The details are well molded and crisp. The uniforms have indentations for the gear and weapons, so they are not just hanging next to the uniform, they look more realistically that the figure is wearing his uniform and combat gear.

There are five Wehrmacht late WWII figures, listed by Tamiya as:

Listed as the first in their “Brave Ukraine” series, this is a small diorama set with four figures servicing an indigenous Stugna-P antitank missile system. The Stugna-P is essentially the equivalent of the U.S. TOW missile system and was developed around 2010 and is effective against most forms of armor (including reactive) up to about 160 feet. It can fire two different calibers of missile – 130mm and 152mm, both of which can also be supplied in high explosive or fragmentation format for use against infantry. It’s also effective during night operations, which must make it a major headache for Russian forces, who normally are not well equipped for night combat. The version supplied in the kit appears to be the 130mm version, although I could be mistaken.

The origin of Pen and Sword Books is closely linked with its sister company, the Barnsley Chronicle; one of the UK's oldest provincial newspapers – established in 1858 – and one of the few weeklies still in private ownership. The first books published by the company were in response to public demand following of a series of articles published in the newspaper: Dark Peak Aircraft Wrecks told the story of crash sites in the Dark Peak area of the Peak District National Park, and a further weekly feature on the history of two Kitchener battalions, known as the Barnsley Pals, aroused a thirst for more information. Following on from the success of Dark Peak Wrecks and Barnsley Pals books, a number of local history paperbacks were produced along with a series of battlefield guidebooks. Battleground Europe proved immediately successful, and as more and more titles were produced the company made the decision to launch a book publishing arm of the group.

This is the first of a two-book series on the American counterinsurgency against the Viet Cong. Hunting the Viet Cong - The Counterinsurgency Campaign in South Vietnam, 1961-1963, Vol 1-The Strategic Hamlet Programme covers the early American involvement in Vietnam before Americans were officially committed as combat troops, serving as advisors to South Vietnam.

Dr Darren Poole teaches military history at the University of Chester and University Centre, Shrewsbury, United Kingdom. Dr Poole has degrees in Geography, Education, History and Military History with over 20 years of experience. Dr Poole’s dissertation focused on the Vietnamese Strategic Hamlet Programme, and his research is evident with over nine pages of bibliography and nine pages of footnotes. The main point that sticks out is his focus on researching the “’unheard voices’ of conflict. These include, for example, the peasants caught in a cross-fire in South Vietnam and the view of the Viet Cong themselves.”